Dicho sea de paso en cada una de las paginas que comprende esta galería encontrara una liga hacia un muestrario de colores, en los que se pueden obtener estas piezas, este ha sido tomado de la misma cerámica, ya que ningún pantone alcanza la riqueza que se obtiene al fundir las preciosas substancias de la tierra y mezclarlas con pigmentos metálicos según formulas desarrolladas y probadas y después a su ves entremezclar estos esmaltes entre si para obtener reacciones muy características de la muy alta temperatura (cono 10 en términos cerámicos aproximadamente 1300^o C) a la que continuamos trabajándola pesar de las presiones que el mundo moderno y sus altos costos de la energía nos imponen y que están haciendo cada ves mas raro ver trabajo a esta temperatura, y la riqueza que se puede obtener de los esmaltes reactivos a esta temperatura, que además endurece el cuerpo cerámico mucho mas, dándole mas resistencia a la rotura y al despostillado a las piezas de uso diario, ojala y que las disfruten ahora y al comprarlas y usarlas, tanto como lo hemos disfrutado nosotros al crearlas y que podamos todos hacer un medio de vida de este arte milenario

This collection of ceramic pieces is the fruit of many years of work, through which we have developed a variety of shapes and discarded the ones that he public didn't appreciate

In this collection you will find from lowly ashtrays, up to artistic pieces, worked for many hours by hand doing sculptural work, relief and piercing and a very careful application of different glazes from our working palette

By the way in each of this pages you will find a link to the color chart  of all the different combinations of glazes in which most of this pieces can be obtained, this chart has been obtained photographing the actual pieces, because no pantone has the richness of color obtained through the melting of precious earths and metallic oxides as pigments according to our tried and developed formulas and then inter mixing them to obtain special effects through the reaction of  two or more glazes and thus obtain effects in the glaze that is very characteristic of the temperature at which we work (cone 10 for the ceramists, 2381^o Fahrenheit) at which we stubbornly keep working, in spite of modern day pressures in the form of high energy prices that are making the work at this temperature ever more rare, it is the richness of colors and effects possible at this temperature that we like so much, that and also it hardens the body more and makes it more resistant to breakage and chipping in daily use, we hope that you enjoy them now and when you use them as much as we enjoyed  creating them and may all of us make a livelihood of this ancient art.